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Bolling & Zukerman - Suite for Violin & Jazz Piano [flac]
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Audio > FLAC
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233.61 MiB (244961619 Bytes)
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2008-04-05 03:44:33 GMT
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  Claude Bolling & Pinchas Zukerman - Suite for Violin & Jazz Piano
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Artist...............: Claude Bolling & Pinchas Zukerman
Album................: Suite for Violin & Jazz Piano
Genre................: Jazz
Source...............: CD
Year.................: 1977
Ripper...............: EAC 0.99b4 & HL-DT-STDVDRAM GSA-4164B A103
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 65 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: 

Ripped by............: roobar on 30/03/2008
Posted by............: roobar on 5/04/2008
News Server..........: 
News Group(s)........: 

Included.............: NFO, MD5, LOG
Covers...............: Front Back 

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                       Tracklisting
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   1. (00:06:14) - (48.86%) Claude Bolling & Pinchas Zukerman - Romance
   2. (00:06:42) - (51.92%) Claude Bolling & Pinchas Zukerman - Caprice
   3. (00:02:25) - (52.58%) Claude Bolling & Pinchas Zukerman - Gavotte
   4. (00:07:20) - (48.06%) Claude Bolling & Pinchas Zukerman - Tango
   5. (00:07:55) - (55.70%) Claude Bolling & Pinchas Zukerman - Slavonic Dance
   6. (00:05:18) - (48.91%) Claude Bolling & Pinchas Zukerman - Ragtime
   7. (00:03:47) - (49.74%) Claude Bolling & Pinchas Zukerman - Valse Lente
   8. (00:05:20) - (53.15%) Claude Bolling & Pinchas Zukerman - Hora

Playing Time.........: 01:36:11
Total Size...........: 232.60 MB

NFO generated on.....: 5/04/2008 12:36:37 PM


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Now besieged with requests for classical/jazz "suites" for himself and big-time 
classical performers, Claude Bolling took up violinist Pinchas Zukerman's 
commission, and out came another attractive confection that allows a 
classical cat to play quasi-jazzman for a day. This time, Bolling chooses mostly 
classical dance forms for his eight movements, still inserting mostly 
mainstream jazz segments (and a few vintage ones) around and under his 
soloist without getting him involved. Although he isn't asked to play jazz, 
Zukerman's warm, Romantic-era-grounded virtuosity doesn't betray even a 
hint of feeling for it; that makes Bolling's close-knit merger even more 
remarkable. On "Tango," the compulsively restless Zukerman switches to 
viola; elsewhere he sticks to the violin. Max Hediguer (bass) and Marcel 
Sabiani (drums) provide the propulsive rhythm in chosen spots, and Bolling 
still manages to swing hard even when playing underneath the square, heavy 
Zukerman tone.
allmusic.com
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